In which The Five-Year-Old plans to be sneaky
After hearing how a very young Gran would sneak out of the house when her mother wasn’t looking and hide in the woodshed, The Five-Year-Old was…
After hearing how a very young Gran would sneak out of the house when her mother wasn’t looking and hide in the woodshed, The Five-Year-Old was…
The Five-Year-Old: “My bangs tickle my eyes. They make me laugh even when I haven’t had a silly thought!”
What we’re reading this week: My Many Colored Days by Dr. Seuss, A Day, A Dog by Gabrielle Vincent, and You Can’t See a Dodo at the Zoo by Fred Erhlich.
Last week, The Five-Year-Old and I had the opportunity to meet Jill Barry and Mike Glowacki, the artists behind the Peace Rabbit at Oakdale Square Common and co-owners of Dedham Glass Art. Ever wondered what questions a five-year-old would ask if given the opportunity to interview an artist? Now’s your chance to find out.
The Bengal Bunny by Sal D’Antona will make its official debut on next week’s issue of Through the Lens, but when we heard this morning that it had been vandalized, The Five-Year-Old couldn’t rest until she had visited the scene and brought you the report.
For her seventh entry in her ongoing Photo Documentary series about the Dedham Public Art Project, The Five-Year-Old visits Ear Ye, Ear Ye – A Tail of Dedham Pottery by Elaine Matt Schaffner.
Weeks ago, when The Five-Year-Old began photographing the bunnies in the Dedham Public Art Project, she asked if we could tour the pottery factory that had inspired the project in the first place. She was very disappointed when I told her that Dedham Pottery had closed in 1943. “What happened to Dedham Pottery, Mommyo?”
The Five-Year-Old: “Daddyo, do you know that every time you tell me about the ICU my mind grows? My mind grows a hundred million times a…
It’s been quite a week here at Caterpickles Central. The Five-Year-Old got to meet Mike Glowacki and Jill Barry (the artists behind the Peace Rabbit in…
This week, The Five-Year-Old read Jack Prelusky’s The Frogs Wore Red Suspenders, Mary Pope Osborne’s Dinosaurs before Dark, and Mary Norton’s The Borrowers Afloat.